Plural Stories

Submitted by erinptah! Thank you, erinptah!

"You saved me. I survived because I knew I wasn't alone. You were always there, so alive, so full of hope...You are the only real superpower I ever had."

Blurb: Steven Grant is an ordinary London retail worker, with an interest in Egyptology and a problem with sleepwalking. Marc Spector is a mercenary-turned-superhero, fighting evil as the Avatar of the god Khonshu, on one last mission to stop a divine genocide. And they were headmates (oh my god, they were headmates).

Why is it worth your time?: Possibly the most mainstream DID rep to get a ton of positive reviews from IRL systems. The headmates start out disconnected, spend some time aggressively clashing over their different values/priorities (not to mention Steven's instant crush on Marc's wife Layla). Then they need to lean on each other's skills to survive a classic superhero world-saving quest, get dragged through some magical trauma-processing, and ultimately figure out how to understand and appreciate each other. Oscar Isaac plays both of them, and (with the help of an amazing crew + diligent FX team) has amazing chemistry with himself. Avoids the usual Marvel settings to bring us to London and Cairo; it's the rare Egypt-centric series driven by IRL Egyptian creatives, and it shows.

Plural Tags: abuse intermediate-focus, cofronting, memory work, otherworld, people: imaginary friends, relationship: friendship, relationship: teamwork, type: medical, type: switching

Content Warnings: Genre-typical violence. Others contain SPOILERS, see comments.

Accessibility Notes: Streaming version has multiple translations, subtitles in multiple languages, and a couple of audio tracks with voiceover descriptions included. Also available on DVD.

Misc. Notes (if any): When the show's portrayal of DID gets criticized, it's mostly over aspects that have been simplified or dramatized to keep things clear for the audience. Example: at first, when we see Marc and Steven switch, it's physically exaggerated, like they're having a seizure...because new viewers need the visual cue that something disorienting and unusual is happening. The guys have more subtle and realistic switches later, when the audience has gotten the hang of how it works.

Meanwhile, the series takes care to get a lot of important dynamics right. Like "if one headmate is doing distressing things behind another headmate's back, it doesn't mean the first one's a horror-movie villain, it means they have different ideas about how to stay safe." And "friends/loved ones don't have to be perfect experts, or to disregard their own needs, to be a good supporter for a system." And "sometimes alters are based on fictional characters, it's fine." And "trauma holders deserve to be told the trauma wasn't their fault." And "healing with DID doesn't require keeping The Original and getting rid of everyone else, it's about everyone figuring out how to work together and support each other."

This is part of a series on Moon Knight submitted by erinptah! Thank you, erinptah! :D See her whole post with clips here!

“The inside of Marc Spector’s head is a picturesque, violent landscape touched by Egyptian mythology, Judaic folklore and fragments of his past. But it ain’t always a pretty place.”

Blurb: After dying and being resurrected (for the first time, but not the last) by the Egyptian god of the moon, mercenary Marc Spector sets out to atone for the harm he caused…by becoming a moon-themed superhero. That’s on top of being Steven Grant, rich CEO/investor in unspecified businesses. And being Jake Lockley, who ranges from “friendly, easygoing, regular guy” to “comedically murderous sociopath” depending on who’s writing this run.

LEGACY BLURB:

The action returns to the real world, for some more typical short-form Marvel adventures…except that now Jake and Steven get to be consistently present! (Along with an unusually-helpful Khonshu. Who doesn’t do any of his usual god-level things, so, this might actually be a Khonshu introject?) Sometimes they’re co-conscious in the physical world, sometimes they’re all interacting in headspace, sometimes there’s a psychic realm where they can manifest separately.

The run I get the most mad about, because it has that great setup with so much potential, and then sours it with things like “Jake gets character-assassinated into a wacky sociopath with a secret-baby plot.” Pushes things to the weirdest and most dramatic places possible, which at best means “this is the funniest Moon Knight scene I’ve ever read,” and at worst, “this is the edgiest edgelord cringe.” Drops lines like “Don’t eat that rabies-ridden dolphin meat” in total earnest.

Another reader said “Damn it Bemis, I really need you to stop writing actually good character moments I enjoy and tricking me into thinking for a brief moment this could be a run I liked, rather than one that makes me want to tear my hair out,” which pretty much sums it up.

Why is it worth your time?: Marvel Comics’ longest-running and most-successful attempt to portray a superhero with DID. (Some writers don’t actually attempt it — but we’re limiting this roundup to the runs where they remembered.)

“Most-successful” still means plenty of flaws, drawbacks, and general comic-book nonsense! But at its best, the writing is a heartfelt, complex, insightful, funny portrayal of A Troubled System Doing Their Best, which a lot of IRL plural readers have found relatable.

Plural tags: abuse intermediate-focus, cofronting, otherworld, nonhumans [gods], realitymashing, family, teamwork, type: medical, type: spiritual, switching

Content warnings: Extra violence and some fairly gruesome injuries. The system gets some retconned explicit childhood trauma, in the form of “little Marc’s favorite rabbi was secretly a Nazi serial killer.” The main present-day child character isn’t harmed in any major way, but does get kidnapped and/or threatened a lot.

Access Notes: Most of these are available in print collections of some sort, as well as digitally through Marvel. Nothing audio or screenreadable as far as I know.

This is part of a series on Moon Knight submitted by erinptah! Thank you, erinptah! :D See her whole post with clips here!

“There’s nothing wrong with a good old-fashioned team-up.”

Blurb: After dying and being resurrected (for the first time, but not the last) by the Egyptian god of the moon, mercenary Marc Spector sets out to atone for the harm he caused…by becoming a moon-themed superhero. That’s on top of being Steven Grant, rich CEO/investor in unspecified businesses. And being Jake Lockley, who ranges from “friendly, easygoing, regular guy” to “comedically murderous sociopath” depending on who’s writing this run.

VOLUME 6 BLURB:

Marc breaks out of his unhealthy cycles by doing something completely different with his life: moving to Hollywood and producing a TV series! Instead of pushing Duchamp and Marlene to un-cut him off yet again, he works on some new connections: an ex-SHIELD agent for a pilot/gadget guy, and fellow quasi-Avenger Echo for a co-vigilante/love interest.

He also meets new headmates — specifically, introjects of Spider-Man, Captain America, and Wolverine. (Marc used to do friendly team-ups with Spidey back when he lived in NYC, and was briefly recruited to the Secret Avengers under Cap. He, uh, has never met Wolverine? Just roll with it.)

Together they sort out a single over-arching plot in the LA underworld. Also, that TV show somehow gets made in the background, even though Marc basically never goes to work.

(…I’m calling this run “nonswitching” because I don’t think any of the introjects actually use the body, in spite of Marc trying to physically imitate their weapons and fighting styles. I think they just hang around, giving advice and being chatty.)

Why is it worth your time?: Marvel Comics’ longest-running and most-successful attempt to portray a superhero with DID. (Some writers don’t actually attempt it — but we’re limiting this roundup to the runs where they remembered.)

“Most-successful” still means plenty of flaws, drawbacks, and general comic-book nonsense! But at its best, the writing is a heartfelt, complex, insightful, funny portrayal of A Troubled System Doing Their Best, which a lot of IRL plural readers have found relatable.

Plural tags: abuse not mentioned, cofronting, identityblending, people: copies, type: nonswitching, voices

Content warnings: Character death, specifically that Echo gets fridged (future comics will completely ignore this), and Inner Wolverine gets turned into The Murderous Headmate at the end. Some general “it’s the ’10s, we should be better than this” sexism in how Echo gets written.

Access Notes: Most of these are available in print collections of some sort, as well as digitally through Marvel. Nothing audio or screenreadable as far as I know.

"We all need some place to go away to... some place we can be the people we should've been instead of the people we've become. Some safe place where we can escape reality."

Blurb: In our world, the Maxx is a homeless man who sleeps in a box with a hopelessly enmeshed relationship with his social worker, Julie, but in the primordial Outback, he's a superhero fighting for his Jungle Queen! But it turns out the Maxx, Julie, and the Outback are all hopelessly psychologically intertwined, and a killer named Mr. Gone seems to know way more about all of them than he should...

Why is it worth your time?: This is a very edgy '90s story that Sam Keith says tended to strike specific teenagers in just the right way at a specific time, and indeed, that's how we got into it. It is EXTREMELY uneven in quality, but Keith mashes Outback and "real world", realism and cartoonish exaggeration, together in a way that nobody else does, and it's still beautiful to watch. In an unusual twist for us, we will recommend the MTV Liquid Television cartoon over the comic; by virtue of its brevity, it forced the story to cut some of its worst excesses, and its ending is less unsatisfying and, in our opinion, much better placed.

Plural Tags: abuse intermediate focus, realitymashing, memory work, otherworld, children, nonhumans [spirit animals], visions

Content Warnings: contain spoilers; see comments

Access Notes: The cartoon has subtitles on Open Subtitles. It was released on VHS, DVD, and someone put it on archive.org. The comics version is available on paper and ebook, and someone may have textually transcribed them for readers with print disabilities on archive.org? That would be a pleasant surprise!

Misc Notes: The comics version of the Maxx came out in six trade paperbacks (and maybe one of side-stories), but vol. 4 starts with a big time-skip and loses William Messner-Loebs as writer, leaving Sam Keith pulling double duty, and it shows. The cartoon, by virtue of being made in 1995 (and thus before the comic ended) was stuck with the first three volumes, and thus it ends there. The cartoon was 13 episodes, each roughly 10 minutes long, so you can smash through the whole thing in less than three hours.

Submitted by packbat!

“Not too busy after all, I see,” Esther says when she opens the door.

“No.”

Cat Eleanor stands up on her hind legs, balancing her front paws on his knees, and says hello in cat. Esther smiles.

“She wants you to pick her up.”

REFUSE

Higher likelihood of claw holes from picking up or not picking up.

DANGER

Eleanor makes holes in his kneecaps. He picks her up and drapes her on his shoulder, where she purrs into his neck and presses her cold, wet nose against his ear. Barnes learns that the area around his ear is extremely ticklish.

The mission imperative is a sound in the back of his mind a little like “eeeeeee.”

Blurb: Following on from the events of Captain America: The Winter Soldier (2014), brainwashed assassin James Buchanan Barnes, his mission imperative, and his mission briefing try to protect Steve Rogers while dealing with assassins, criminals, trauma, memory issues, and becoming a part of a community again.

Why is it worth your time?: This is a story about small victories, supportive friends, and finding your own solutions to problems. Barnes' system configuration is repeatedly affirmed and celebrated as functional and good. It also has a lot of good humor, and the fight scenes are well-integrated into the arc of the plot.

Plural Tags: memory work, nonswitching, relationships: teamwork, voices. fusion/integration is discussed but does not occur.

Content Warnings: contain spoilers; see comments!

Accessibility Notes: screenreadable, audio/dubbing (almost all the stories have at least one linked podfic). Every work in the series has been translated into Русский, although some of the translations are only available to logged-in AO3 users. (An account is free but it might take a day or two to get an invitation.) Some fics in the series have also been translated into Russian, Magyar, Français, 한국어, and/or 中文-普通话 國語. The translations are linked at the top of each fic. Also, at times the HTML is poor so might be a pain on screenreader.

Misc. Notes (if any): The author retcons a number of things over the course of the series and Barnes is an unreliable narrator due to memory issues, so the work is internally contradictory in a number of parts.

Also, URL = https://archiveofourown.org/series/195689 Back-up links:

• This, You Protect
• Team-Building Exercises
• The Long Road Begins at Home
• Truth, Justice, and the Cheating Cheater Way
• Upgrade: Advanced Happiness Skills
• A Chance to Try Bravery
• A minor misunderstanding, solidarity, and reunion

"Don't you see? There are areas in which only we are qualified to operate. When the rational world breaks down, we can cope... because we've been there, in ourselves. We have known madness... and delirium... and we are no longer afraid. The world has turned its back on us, but it's time to stop being victims, time to show them we're more than just 'freaks,' more than just 'cripples.' Believe me, they need us. And we need each other."

Blurb: Shunned as freaks and outcasts, tempered by loss and insanity, this superheroic band of disabled misfits faces threats so mystifying in nature and so corrupted in motive that reality itself threatens to fall apart around them--but it's all in a day's work for the Doom Patrol.

Why is it worth your time?: Grant Morrison's run on Doom Patrol is considered a classic, and deservedly so. The comic follows its own surreal logic but isn't as esoteric as other Morrison works, the heroes often solve their (cosmic reality-breaking) problems with their wits, and while everyone has damage and impairments, watching them work together as a family is enjoyable.

It's also plural out the wazoo. Crazy Jane, the MPD multiple on the team, is based off the Troops for Truddi Chase, and a whole issue deals with Robotman exploring her headspace to help one of the headmates after a traumatic event. Rebis (AKA the Negative Man) is also plural, being composed of two people and the Negative Spirit, smooshed together in a single body. They are basically always cofronting together and talk to themselves aloud in dialogue for the first couple volumes, and are stated to be in a process of fusion, a sort of walking alchemical marriage. And finally, support staff Dorothy is a teenager whose superpower is her imagination becomes real--her imaginary friends are shown to have independent desires from her. Robotman himself gets into an argument with his robot body at one point, which gains independent sentience and decides it doesn't want him around. (He loses the argument.) This is one of the most plural comics I have ever read.

Plural Tags: abuse low-focus, mpd/did, switching, otherworld, children, imaginary friends, introjects, median, realitymashing, plural community, teamwork, enmity, and family; nonhumans [spirits, robots]

Content Warnings: contain spoilers; see comments

Access Notes: Available in digital and paper forms, pretty easy to find since it's so well-known. I'll also note that I was very reluctant to attempt reading this book because Morrison is often too much for me, but I was pleased to find that I could follow this story fine!

Misc Notes: Morrison's run is contained within issues #19-63, plus a self-contained special that you can skip. It is omnibused in either three GIANT books, or six paperbacks: "Crawling from the Wreckage," "The Painting That Ate Paris," "Down Paradise Way," "Musclebound," "Magic Bus," and "Planet Love." There has also been a TV show made, still coming out as of 2022, but we haven't watched much of it.