Plural Stories

"You're more yourself than usual, Nadine. [...] Sometimes you will wake in a different bed than the one you fell asleep in. Sometimes you will feel like somebody else entirely. But all the time, while you are there, the people you become will always be you."

Blurb: A Jewish lesbian musician flees into the woods... and starts dipping in and out of time and bodies.

Why is it worth your time?: Unusual story of a singular nature, and it's short, free, and online.

Plural Tags: abuse not mentioned, bodyhopping, identityblending, otherworld (the past), children, realitymashing, setting-specific

Content Warnings: pogroms

Access Notes: This story is in an out-of-print small press anthology, Memories and Visions: Women's Fantasy & Science Fiction, edited by Susanna J. Sturgis. Used copies can still be scraped up; it is also available in bootleg screenreadable digital form on archive.org. The whole anthology contains many spirited, many-selved stories and is worth checking out! It's also legitimately available for free online (and screenreadable) in Sinister Wisdom #34!

Misc. Notes: This story was eventually expanded into a complete novel entitled Running Towards a High Thin Sound in 1996.

Submitted by packbat. Thank you, packbat!

There wasn’t much to do now, so Syrus jumped off the bed to do some simple exercises.

Syrus asked, [So what are we supposed to do besides that plan?]

[The best we can do is not cause any trouble and have the ceremony pass without any issues.] (Luna)

[Fair enough.] Replied Syrus, in the middle of her first push-up. At the peak of the second, she asked, [Want me to accidentally burn the priest?]

[...] (Luna)

[Hello, Earth to the Moon?]

Lilly sighed, [She needs to say no, but wants to say yes…]

“Hehe, I know.” Laughed Syrus.

Blurb: It began with an accident, or maybe a miracle is a better term.
Three souls dying by different strokes. One died in glory and blood; One died, betrayed but glad it was over; One died poor and alone.

Then on the child’s fifth birthday, the three sleeping souls awakened. Three souls, one body, two desires, and containing all the powers each had in their last life.

Were they destined for greatness? No. But when the past comes to haunt them, their home taken away, they have to make a decision… May it be as simple as a majority vote.

“Let’s squash them!”

“...can we just run away?

“Were you never taught to aim for the eyes?”

Why is it worth your time?: Okay, so you know the fantasy stories where someone gets reincarnated and ends up powerful because they still have the knowledge and abilities from their past life? It's one of those, except three people get reincarnated in the same body and they have the power of all three working together. It's not, like, a deep exploration of plurality, just a cool body-sharing fantasy adventure story.

And also the protagonists' new parents figure out that their kid is a plural system and are super supportive and loving. Which is really sweet and heartwarming.

Plural/1+ Tags: closeting, cofronting, otherworld, the dead, teamwork, spiritual, setting-specific.

Content Warnings: violence, injury, poisoning, and death; murder, kidnapping, arson, child endangerment, and animal death; grief and trauma.

Accessibility Notes: online, screenreadable, free. Scribblehub link.

Misc. Notes (if any): The way dialogue is formatted for completed sentences, with both periods inside the quote and commas outside, is unusual, if pretty clear and comprehensible. The first part of the story goes up to Chapter 63, but it's ongoing and it sounds like there's a lot of plot still to go. (Cataloger note: Holy crap there are well over a hundred chapters, I don't think I want to manually back all that up.)

Submitted by quailfence! Thank you, quailfence!

"There is a radio in the distance. A radio of the world. Playing sound: Good morning, Elysium. Soon you will return to the world"

Blurb (from TVTropes): One miserable morning, you awaken from pain and darkness in a trashed motel room with the hangover to end all hangovers. You have no idea where, or even who, you are, but some details begin filling in as you explore: you are a police detective visiting Martinaise, harbor district of the city of Revachol, jewel of the Insulindian Isola, in the year '51 of the current century. Perhaps most importantly, you were sent here three days ago to deal with a lynched corpse, but instead went on a deranged bender of drug and alcohol abuse.

Now, you must resume the investigation with the aid of Lieutenant Kim Kitsuragi, a fellow detective from a rival precinct. But of course, it won't be as simple as it seems — the victim, a security contractor for a major international shipping company, stands at the center of a labor dispute involving the local dockworker's union, corrupt businessmen, communist agitators, and foreign interests, with blood on the streets looking more likely by the day. Everyone involved is eager to use you for their own ends — and of course, you're no titan of mental stability, what with the two dozen voices in your head vying for your attention...

Why is it worth your time: The aforementioned voices in your heads are your skills. As you get your skills higher, they become more talkative and interact more with you and each other. Overall the game places a lot of emphasis on crafting an identity and making your own choices. While the player character has a past and a personality that goes along with said personality, the main character's amnesia means that you can choose to follow that past or create your own identity. How you choose to shape your personality also affects your ability to connect with and learn about other characters and engage with sideplots, with certain dialogue checks being easier if you level up certain skills - though there is always a small chance (3%, to be precise) chance of success or failure.

Plural/1+ tags: abuse low-focus, people: the dead, people: copies (you can talk to the victim's corpse if you pass a check), people: nonhumans (you can also talk to your necktie in certain circumstances), voices, visions, otherworld (in the form of dreams), type: spiritual, type: medical(?), type: setting-specific (to elaborate: it's theorized in-game that the skills/voices are a result of some combination of an in-universe phenomenon known as The Pale and the player character's pre-existing mental problems, but it's ultimately left unclear as to exactly why this is happening), teamwork

Content Warning: It's a murder mystery where the player character is a cop who struggles with addiction to/withdrawal from alcohol and other substances. Other warnings are spoilers, see comments.

Note: due to the nature of the game, compiling a full and accurate content warnings list is rather difficult - I had to ask on Discord for help, and even then I still probably missed some things. Some of these things are unavoidable, while others can be avoided with varying amounts of difficulty

Accessibility notes: All dialogue/lines appear on-screen, and all dialogue and most narration is read out loud, though menus and such aren't. There exist let's plays/streams but I haven't seen any of them and the nature of the game, involving lost of little variations and branching choices, means that a completionist playthrough is basically impossible. Translated into Japanese, Spanish, Simplified and Traditional Chinese, Korean, Portuguese, French, German, Russian, Polish, Turkish, and Arabic, though audio is only available in English. Available on Steam, Gog, PS4, PS5, Xbox One, Xbox X|S, and Switch

"We are Many - More than an Army. We count on it - Strength in Numbers."

Blurb: A stained glass work of the inner people of an MPD/DID multiple reaching towards the sun.

Why is it worth your time?: It's a beautiful, powerful piece, free to view.

I discovered Judy Castelli on page 44 of Eye to Eye: Portraits of Lesbians. Her photograph from 1978 (fifteen years before she finally got diagnosed) called her an "artist, singer and songwriter," quoted her as saying, "My official diagnosis is paranoid schizophrenia," and showed her image reflected in a mirror, surrounded by paintings of people with multiple faces. Naturally, I smelled multi, and I was right: once diagnosed, she went public, published a book based on these journals and a DID journaling kit (the password is "hope"), released a CD album (including her '70s single, "Crazy Lady"), sculpted in stone and stained glass, and became a lay founder of and board member of The NYSSMP&D (New York Society for the Study of Multiple Personality and Dissociation.) What an amazing life, and yet I had never heard of her until that photo book!

Plural Tags: plural creator, abuse not mentioned, children, teamwork, otherworld, medical

Content Warnings: None.

Access Notes: Archived online. Image is not screenreadable, so here is my description right here: a striving stained glass piece of many figures, big and small, in pink, gold, and green, joining together and carrying each other to form a single greater silhouette reaching joyously towards the sun, a vibrant magenta sky behind them.

Misc Notes: See it free here!

"If William is a character worthy of being written about, then he exists. He exists, inside my head to be sure, but in his own right, with his own vitality. All I have to do is look at him. I don't plan him, compose him of bits and pieces, inventory him. I find him."

Blurb: An essay by the late, great speculative fiction writer about her discovering of Earthsea over the course of a decade and its independent autonomy.

Why is it worth your time?: Le Guin has passed on, but her legacy is immortal. The essay is a beautiful explication of creative discovery and the realm of the imagination. Give it a shot!

Plural Tags: abuse not mentioned, creator speaks from experience, otherworld, fictioneers

Content Warnings: None.

Access Notes: This essay has been reprinted many times, including in ALGOL #21, Dreams Must Explain Themselves, The Language of the Night, Fantasists on Fantasy, and a similarly-titled by very different 2018 collection called Dreams Must Explain Themselves: The Selected Non-Fiction of Ursula K. Le Guin. Available in print and ebook forms.

Submitted by erinptah! Thank you, erinptah!

"You saved me. I survived because I knew I wasn't alone. You were always there, so alive, so full of hope...You are the only real superpower I ever had."

Blurb: Steven Grant is an ordinary London retail worker, with an interest in Egyptology and a problem with sleepwalking. Marc Spector is a mercenary-turned-superhero, fighting evil as the Avatar of the god Khonshu, on one last mission to stop a divine genocide. And they were headmates (oh my god, they were headmates).

Why is it worth your time?: Possibly the most mainstream DID rep to get a ton of positive reviews from IRL systems. The headmates start out disconnected, spend some time aggressively clashing over their different values/priorities (not to mention Steven's instant crush on Marc's wife Layla). Then they need to lean on each other's skills to survive a classic superhero world-saving quest, get dragged through some magical trauma-processing, and ultimately figure out how to understand and appreciate each other. Oscar Isaac plays both of them, and (with the help of an amazing crew + diligent FX team) has amazing chemistry with himself. Avoids the usual Marvel settings to bring us to London and Cairo; it's the rare Egypt-centric series driven by IRL Egyptian creatives, and it shows.

Plural Tags: abuse intermediate-focus, cofronting, memory work, otherworld, people: imaginary friends, relationship: friendship, relationship: teamwork, type: medical, type: switching

Content Warnings: Genre-typical violence. Others contain SPOILERS, see comments.

Accessibility Notes: Streaming version has multiple translations, subtitles in multiple languages, and a couple of audio tracks with voiceover descriptions included. Also available on DVD.

Misc. Notes (if any): When the show's portrayal of DID gets criticized, it's mostly over aspects that have been simplified or dramatized to keep things clear for the audience. Example: at first, when we see Marc and Steven switch, it's physically exaggerated, like they're having a seizure...because new viewers need the visual cue that something disorienting and unusual is happening. The guys have more subtle and realistic switches later, when the audience has gotten the hang of how it works.

Meanwhile, the series takes care to get a lot of important dynamics right. Like "if one headmate is doing distressing things behind another headmate's back, it doesn't mean the first one's a horror-movie villain, it means they have different ideas about how to stay safe." And "friends/loved ones don't have to be perfect experts, or to disregard their own needs, to be a good supporter for a system." And "sometimes alters are based on fictional characters, it's fine." And "trauma holders deserve to be told the trauma wasn't their fault." And "healing with DID doesn't require keeping The Original and getting rid of everyone else, it's about everyone figuring out how to work together and support each other."

This one is submitted by a friendly anon! Thank you, anon!

"I wanna say, that your value is much higher than your assessment. It shouldn't be measured in terms of data..."

Blurb: An android, subject to horrific experiments, finds himself part of a network of clones. He fights to set them free along with the other victims of experimentation, and succeeds--at the cost of his life. Those 7 clones find new life together with their human partner, but the threats to their existence are far from over...

Why is it worth your time?: Season 1 is a set-up for the bulk of the plural content in Season 2, "Eclipse of Sybil", in which the androids act as an external system connected via their own network. (Yes, the title is partly a reference to that Sybil, whose name was used for the computer term 'Sybil attack'.) Although they each have their own body, the way they cooperate, share memories, and talk about each other is nevertheless very plural. It's cool seeing what a system could look and act like on the outside.

A particular heartwarming scene: one member tells the system's partner how each of them have their own unique thoughts, but laments that they must be indistinguishable due to being the same model of android. The partner, upset, responds with, 'of course I can differentiate all of you!' Just like how a system might feel as though only the body is known to others, but a loved one can tell the difference between members.

Also, the artwork is gorgeous.

Plural Tags: nonswitching, switching, setting-specific, on purpose, teamwork, nonhumans [robots], enmity, memory work, bodyhopping, otherworld [cyberspace], copies, realitymashing

Content Warnings: abuse (adults and children), blood, death (dismemberment, decapitation, shooting, falling, fire, car accidents...), experimentation, gore (machine), graphic violence, strong language, suicide (attempts and one who chooses to shut down), trauma (flashbacks, anxiety attacks), hospital/surgery scene

Accessibility Notes: Lots of translations! The entirety can be read in Chinese, English, French, Portuguese, and Russian. Season 1 can also be read in German, Indonesian, Italian, Japanese, Korean, Polish, and Spanish.
There are plain text scripts in English, but they don't distinguish between who is speaking.

Available to read on Archive Of Our Own
Also available for free download by the creator (where all the translations can also be found)

Misc. Notes (if any): This is a Detroit: Become Human fan comic that goes off the rails with the artwork being a main draw (heh). Massive spoilers for the game, of course, but since most of the story is its own thing, it can (probably) be read without any knowledge of the source. Midjourney was used for a little of the art, which is clearly notated by page.

(Cataloger's note: oh jeez this is very large, I made a local copy of the English translation but don't have it in me to back up all the translations, sorry folks.)

"Goldie let me absorb him. So that I could live. That means my soul isn't entirely my own, ennit?"

Blurb: Burned-out sorcerer John Constantine had a twin who died in the womb. In the world on other side of the mirror, it was the twin who survived, and John who died. And one day, that twin comes out to make him an offer to solve everything...

Why is it worth your time?: It's good! Jes & Cin packed a lot of thought on themes of self-hatred, grief, and sacrifice into these short little comics. Give 'em a shot, they're free!

Plural Tags: abuse not mentioned, otherworld, children, the dead [twins], nonswitching, fusion/integration [failed and successful both], family and enmity relationships, setting-specific, visions

Content Warnings: It is not a spoiler to say that these are comics about a dead twin, and the grief therein!

Access Notes: Not screenreadable. Free to read online, though not posted in order!

Misc Notes: The creators have put it all in one expanded "Director's Cut" post now! (EDIT: here's also the tumblr post version.) Here's the masterpost on the creation of it (back-up link). The authors' notes in the original posts are also well worth reading:

• Cover images (back-up link)
• John Constantine and the Vanishing Twin (back-up link)
• Birthdays (back-up link)
• Twin in the Mirror (back-up link)
• Twin Fusion (back-up link)
• Reunion and Loss (back-up link)
• The Marigold Mage's Farewell (back-up link)

"dragons may be make believe -- that doesn't make them fake."

Blurb: A children's song about a young boy and his imaginary dragon friend.

Why is it worth your time?: I mean, if you want a sad song about the abandonment of childhood wonder and dreams, there's the original. If you want the happy ending, you can read Spider Robinson's 3rd verse addendum!

Plural Tags: abuse not mentioned, otherworld, imaginary friends, nonhumans [dragon], friendship

Content Warnings: loss of childhood innocence and wonder

Access Notes: This is a very well-known song and easy to find lyrics and recordings of. It's also on archive.org! Spider Robinson's verse is also freely available online, because the fanzine he put it in (Niekas #30, from 1981) got digitized a while ago. If you are TRULY deadset on owning Robinson's verse on paper with an illustration, it was also printed in Fifty Extremely SF* Stories, edited by Michael Bastraw.

Misc Notes: Since Robinson's verse is so short, I just copy-pasted it into the comments below, because it seems like the kind of ephemera that might disappear. I know he's performed it live, but I haven't found any recordings, sorry!

"Look at me! I am a person! I DESERVE A NUMBER!"

Blurb: Characters find themselves on a surreal, forever-extending train with ever-changing numbers printed on their hands. Each one has to deal with that in a different way.

Why is it worth your time?: All four seasons of this show are good, but each one is self-contained and have different themes; your mileage may vary on which of seasons 1-3 are "plural enough." In Season One, there's the multi robot One-One. Season Two deals with MT, a runaway mirror reflection determined to find her own personhood separate from the person she reflects. Season Three deals with Grace, who's spent years treating the train (and its denizens) as her own personal playground devoid of moral weight, and the way that eventually comes back to haunt her. (Season 4 involves two ex-best friends who get thrown on the train together and has no pluralish content.)

Plural Tags: abuse low-focus, cofronting, otherworld, copies, nonhumans (robots, mirror reflections), setting-specific

Content Warnings: contain spoilers; see comments

Access Notes: On account of being canceled by streaming services, this show can only be pirated. We encourage you to do so; it's very good! Subtitles should be available; I was able to watch with them.